CAMELOT
at Picnic Island - November 2000
Photo by Gail Taylor
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NOTE:
This piece was originally drafted between 2000 and 2002. The PHILOSOPHY of it remains intact and so does my goal of someday establishing The Bay Area as my major work-hub. However, the circumstances of my work have shifted. The first part of this article remains as it was written with some minor edits to resolve time anomalies. The 2005 Update rematerializes these ideas in terms of my continuing nomadic life. Taylor Architecture, although the work is distributed, will lend itself to a main living and working location. MG Taylor’s work, however, is extremely place specific. At the moment, this means all of North America and Europe. The “rooms” in the “house” that I speak of have to go global. This is not a circumstance that is unique to me but one that is increasingly systemic to knowledge workers.
I think that everyone involved in the creation of architecture wants most of all to build for themselves. I certainly do. I have been highly nomadic all of my 49 years of professional work. This has been a frustration to me because to makes building for myself difficult, causes (over a lifetime) a fortune of my revenues to be spent on building not of my making and definitely interferes with the establishment of a practice of architecture which almost always starts of locally focused.
However, this circumstance - in retrospect - has not been all bad. I have spent the majority of the last 25 years working in environments of my own design. The houses that Gail and I have bought and lived in have always been refitted and modified to become exemplar environments if not great art pieces. As I become more distributed in my living-work locations, I am forced to directly embrace the contemporary facts of life that the main stream of architecture is not.
At the completion of iteration6, my major involvement with MG Taylor will begin to decline. This will allow me to get back to my original goal of ARCHITECTURE. At this transition, the San Francisco Bay Area, where I started this quest, will once again become my home again. |
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define_organic_architecture |
The
idea of organic architecture is simple at the root
of it - it is the process
[link] of learning from Nature and applying these principles
to the design, building and use of human habitats.
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It
is not borrowing various shapes and the superficial
aspects of Nature; it is not using natural
materials to build with; it is not found in simply
attempting to make minimal the human built environments
impact on Nature. These means, as worthy
as they may be, do not, alone, make an organic result.
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The
science of the built environment is based on understanding
what elements are important to a project - and what
these elements mean. The art, is the ability
to sense, feel and create place. Great architecture
requires a synthesis
of engineering and expression [link] - design is the
act of fusing a million aspects into a unified whole.
When building habitat, economy and ecology are one. Architecture is not a visual art - it is an experiential art and facilitates daily life.
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We
humans have allowed a disintegrated philosophy
of economics [link] and social organization produce
a monstrous result in our otherwise legitimate drive
to create habitat. In this pursuit, we have failed
to accomplish - on any scale - a worthy human
result and we have carelessly and needlessly damaged
the Earth ecosystem. What we have done - without
apparent concern- to other living beings is beyond
any possible excuse - we have become a global predator
by default and without purpose.
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We
are, of course, a part of Nature. Criticisms that
put us outside of Nature - and somehow responsible
for everything - and assert that we should subordinate
ourselves to Nature establishes a dichotomy
that cannot be resolved. Arguments that assert that
we are the same as bees - therefore anything
we do is acceptable - are equally vapid. Nature
is neither a god nor a trash can - Nature is a living
system of which we are self-aware - and potentially
- collaborative co-designers [link].
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Everything
we build has an impact - which is to say it has
a cost. Unfortunately, we have been adding
up only some (and not nearly all) of the
human costs. The costs to other living beings are
not accounted at all except as they may effect property
values. This too parsimonious an accounting system
has subverted the results - millions of isolated
decisions based only on a short term assessment: can I afford this action
drives to a self-destructive end. We are part of
Nature but in the short term we are not easily constrained
from acting destructively. We have to build into
our own systems and organizational measures, feedback loops and design constraints that resolve
the issues of scope and scale we presently ignore. If we do not, someday it will be done for us and - if history is any president - this will be in the form of a catastrophic collapse.
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There
are many ways to build these feedback loops so the
market (that is all of us in the aggregate)
does not do stupid and destructive things - the
Gaia
Project [link] is one of them. The Master Planning process [link], another. These are simply issues
of intelligent engineering.
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My
workspace is Planet Earth. I do not mean this metaphorically.
Someday, this will include space [link] beyond our, now existing, primitive, near-earth-orbit
startups. At present [until 2003], I spend most of my time in
North America - usually, in environments that I
designed or inspired. A great amount of my time
is spent in Palo Alto at the knOwhere
Store [link] and in our Northern California home [link].
In addition, we have CAMELOT [link]
to go to. Having these environments make me unusually
fortunate. Last year, a design class from Stanford
University spent some time with me at knOwhere
[link] - one of the students, in a later e-mail, said you
have surrounded yourself with beauty. I never
thought of it that way. I would say I have consciously
- with care - made places that express my
values [link].
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This
statement is qualified by the fact that nothing
I have done to date - with the exception of CAMELOT
- even approaches the level of quality I believe
is both necessary and possible - and possible to
do on a large scale. The architecture that I have
been part of making should be quite ordinary - not
seen as unusual as it is today. Recent
projects [link] are beginning to accomplish several
long-held goals: ubiquity, affordability and a level
of design that brings out the unique local aspects
of the people, time and place of the project.
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I
travel often and take care to avoid, as best I can,
places that are too ugly, have been destroyed or
are unhealthy. This is both a good and bad habit.
It makes, admittedly, a distorted experience. The
scope of the real problems in the larger
world can get, and stay, out of mind. So also can
some of the extraordinary work, that is going
on here and there, be too easily missed. I choose
my work carefully shaping my experience of work
as best I can. This is not without
consequence [link]. It is not an easy thing to keep
a balanced view of the world. To be in it
(fully) but not of it (fully). This
is a strange time for philosopher-designers.
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My
habitat is a world - a planet. And, we all live
on it. We share it, uncomfortably, with each other
and other life forms. Few of our systems of organization
recognize this fact of planet-as-place, and
the ones that do, cannot facilitate us - as a species
- in the process of co-evolving this artifact
[link] that is presently our only home.
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Can
you think of planet Earth as your habitat and workspace?
If a 100 million did, would this make a difference?
Impractical? Is what we are doing now - practical?
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Personally,
I do not draw the rigid distinction between work-space
and living-space that is so typical to our culture
and time. I have always lived and worked in the
same environment. Even my knOwhere work-space [until 2003] has
a
small private area [link] for thinking, reading and
sleeping. It is just recently, however, that I have
started to put into practical effect my long held
sensibility that different work-living locations
can co-operate like the rooms of a single
building and that the travel
[link] to these different places can be - and must
be - treated as an architectural experience [link]. This
opens the architectural dialog to considering levels
of recursion (personal environment, village, region,
country or bio-region, continent, world [link]) as active
design issues.
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In 2002, after the sale of Our Hilton Head Sealoft, Gail and I decided to focus on the Northern california Bay area as our primary home and workplace. Gail retired from MG Taylor and started TomorrowMakers and needed a place that can be home for her - this is Elsewhere. In the mid 90s we had our Sealoft, a slip for Camelot and a knOwhere Store in Hilton Head that served as the MG Taylor Home Office. While still a distributed, virtual corporation we did have a critical mass in one place. The idea, below, is to replicate this hub - in a somewhat more distributed form - in the Bay Area. |
Page
225 March 17, 2002 of my post 9/11 Notebook series [link].
The idea of a region as house with several distributed rooms connect by transporation hallways. |
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This
is what I consider my future Northern California
PLACE of work and living rooms.
For a period, I have a couple of these rooms functioning
and several in the planning/building stages. Now [August 2005], with the close of knOwhere, there is just Elsewhere. In 2003 the work shifted back to the mid west. West coast work is beginning to regenerate but so is work on the east coast and in Europe. It
will take a few years to build-out this Northern California house” - in the meantime, I will continue to be a knowledge worker nomad. This places special demands on creating place - demands that are not unique to me but increasingly system in our society. I am still committed to Northern California however see the “update” below for and out line of my currant strategy.
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My
knOwhere
POD [link] until the close of the knOwhere Store in April 2003. My POD now resides [link] happily at the Vanderbilt Center for Better Health [link]. |
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Gails
and my Northern California Coastline home -
Elsewhere [link] - nestled in redwoods
a mile from the Pacific Ocean about ready to get Gail’s “Nest” [link]. |
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CAMELOT
[link] is still in Florida. Plans call for bringing
her to the San Francisco Bay at some time. Her final location depends on where MG Taylor has significant work and matching this to the lifestyle requirements of her Captain and Mate Butch and Pam Rice. |
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In
addition to the Elsewhere, knOwhere, Camelot and
Bay Area Studio rooms, my plans include
a closer collaboration and co-development with SFIA,
in San Francisco [link], and the establishment of an AI
West shop in the East Bay. In sum, this will
create a regional workplace that has global reach.
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The
continuing growth of client and partner NavCenters
(now exceeding 30 facilities) creates another layer
of place. At this time, I cannot relate to
this place-ness in the visceral way I can the Bay
Area. Then again, the Bay has always
been my spiritual home. I do not know if this is
an intrinsic limit of my personal sense of place
or if it is a critical mass thing. Will time, growth
of these Centers, my more frequent use of them change
this? If so, will this provide a bridge
between the scale I can now FEEL and the
scale of planet Earth (which I can now only understand
as a mental construct)? Is the issue of conflict
between people and places one of our ability (or
inability) to enlarge what we think of as us
and home? Should the concept
[link] of homeland security be scaled up to
human and animal land security and planetary viability?
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Each
individuals - and a societys time and
space FRAME is of primary importance. We are
self-focused. And, we should be. The critical issue,
however, is how we each define and think of our self.
Is now ten minutes or a hundred years? Is me
just what is inside my skin or my immediate community,
country or humankind? Is here my 9/10ths of
an acre, Northern California, the USA or a planet?
We each will naturally act to preserve, grow and protect
what we conceive to be US and OUR GROUP.
How inclusive or exclusive this is will
determine the outcome. |
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The original writing, above, is now all tangled up in tenses but is, I think, worth preserving as it is. I spend most of my time these days in our environment adjacent to the first floor expansion of the Vanderbilt Center for Better Health. Already, this year (as of August) I have spent more than 60 days in Europe with the RDS at the World Economic Forum and Liechtenstein. We are seriously considering locating a major work hub in Nashville and, ultimately building a compound there. |
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Gaia Project - Who Represents Earth? |
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Index - Matt Taylor Papers |
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Making PLACE - Tour MGT Environments |
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Manifesto - The New Workplace |
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Mendocino County - Ecotopia Rising |
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Nashville Taylor Snowflake Compound |
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NavCenter - Creating the Tool |
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Planetary Architecture - The Case |
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Taliesin Return - December 2000 |
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THESIS: Making Authentic Architecture |
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To hold an unchanging youth, is to... |
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UpSideDown Economics - 12 Aspects |
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Matt
Taylor
Palo Alto
September 23, 2000
SolutionBox
voice of this document:
VISION STRATEGY EVALUATE
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posted:
September 23, 2000 revised:
August 23, 2005
20001126.265218.mt 20001218.883510.mt
• 20020623.295610.mt 20020624.555500.mt •
20020829.777700.mt 20050824.232310.mt •
Copyright©
Matt Taylor 2000, 2002, 2005
(note:
this document is about 10% finished)
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