camelot
 
“The value of an idea, concept or theory...
is what it enables you to do”
MG Taylor Axiom
Camelot - Second trip to the Bahamas - 2000
Why Camelot?
 

 

In 1993, Gail and I, with then Captain Bill Lacher, took CAMELOT to the Bahamas [link].

 

It was a wonderful early summer trip that ended with us arriving back in the States on July 4th. Of all the experiences this sail provided, there is one moment that stands out most in my mind.

 

It was early morning on the sail back to the US. We had timed our passage so that we would leave the Bahamas at sunset and arrive at US port in the early morning. It was a beautiful evening for a crossing. The gulf stream can provide a rough sail but this night all the conditions were idyllic.

 

There are times when mental constructs, senses and reality merge. These are magic moments and we are not given too many of them in any year - even in a lifetime. Everything is different in these moments and we never forget them. Afterward, we wonder why life is ever any other way and what has to be done to bring back this kind of existence. Of course, there is nothing to be DONE that will do this. I guess that this is both the bad and good news about living.

 

These moments are given- not made. Right action [link] provides the opportunities. These are moments of “Right Livelihood” [link].

 

I had taken the midnight to four am watch. As I came on deck, I was instantly transported to another time and place. There was a full moon, and with it, a gentle mist hung over both the sea and CAMELOT. This was the kind of mist we call mystical - the kind where both sight and hearing are effected, dampened and changed.

 

This kind of moment arrests time, transforms the soul and you become another way of seeing. Everything looks different and is alive. Visibility was only a few hundred yards at most. The Moon was low on the horizon and diffused by the saturated air. Sound was almost non existent except for the barely audible swish of CAMELOT moving through the water.

 

The world was electric and strangely peaceful - almost like the beginning, or the end. It was one of those times that if the world ended, at this instant, it would have been OK - fitting and perfect. After experiencing this - it is possible to let it go. In a way, the world did end for me because I can never be the same - afterward.

 

At first, I just sat on the aft deck and drank it all in. An hour must have passed. It seemed timeless and instant. What is this thing we call time? How can it vary so? What brings these moments that speak, burn and make change? Why is “normal” life so different? Why do we let it be different? How do we get lost in so many things that do not matter?

 

The wind, on the quarter, was perhaps eight or ten knots - maybe less. A light breeze for moving a 22 ton sailboat in blue water. CAMELOT was sailing at about four knots through a totally flat calm sea - unusual for crossing the Gulf Stream. The sea was oily - with high viscosity. It was languid and silent - almost brooding... full of prospect. It seemed aware and alive.

 

In conditions like this CAMELOT sails herself. Once the sails and helm are set there is nothing to do on watch - but watch. In a way it seems that the boat is stationary and the world is slowly rolling by wanting to be observed and understood. Of course, it IS understood - it is perceived, taken in and accepted in a way that is, too often, difficult in our day-to-day experience. The bustle of cities, the noise of traffic, day-to-day cares of what we call life separate us from nature and the direct experience of other life.

Acquaintances often ask us “why CAMELOT?” I sense that they see her as a possession, a thing - a trophy. When I show her pictures or bring visitors on board, I sense that they think it is about bragging or keeping score. It is not - and, when people spend some time on her, they succumb to the magic of her presence and will. Because of this, I find that I do not show her pictures nearly so much as in the past - I provide the experience.

 
Architecture is made up of three attributes [link] that must be kept in complete synthesis. CAMELOT keeps this balance with total grace. To be on her is to experience this harmony.
 

CAMELOT is about experience. She is about a different way of seeing the world. She is ARCHITECTURE [link] the way it is supposed to be. She is a level of process, tools, environment, integration that instructs me [link] for doing my professional work. She is an example, for our friends and clients, of what the synthesis of arrangement, shelter and expression can be. She is a symbol for the Big E [link]. She is proof that a piece of the world can be made organic [link], right, expressive of human values.

 

As I stood my watch, time passed - it was tangible with it’s presence. It was a moment that seemed to go on, suspended, enchanting, endless.

 

I had two visitors that watch.

 

The first was a pod of dolphins [link]. They came suddenly out of the mist and surrounded the boat. They seemed to be everywhere - and totally aware. They knew I was there. They knew that I was aware of them - as they were of me.

 

There are those, for reasons I cannot fathom, that find it necessary to deny the intelligence of animals. They do this despite what is in front of them every day. Few can hold this position at sea when confronted with a pod of dolphins. For at sea, we are in their domain - not ours. Here, the rules are different - and alien. Living is different. Reality is different.

Once you have truly experienced the sea, you can never, again, feel completely at rest upon the land.

 

I have never fit easily into the society I born into. I know that. I have done my best to make minimal the conflict that has resulted from this. Often, I know, that my disquiet [link] is taken for arrogance - and worse. Still, I do the best I can with a situation that will never completely work. I seek to fit - to contribute. I enjoy what I can and do what I can.

 

There are moments, in a DesignShop,™ when the world comes alive for me and I can experience a close feeling of connection with my own species - I experience it, also, with the intense collaboration of making a building. But mostly, I do not belong here. I am a trespasser that tries not to interfere too much and overstay a parsimonious welcome.

 

We, of this generation, are building a new world - a new economy [link] - a new way of working [link]. The Internet, itself, is the best example of this new paradigm in practice. For a quarter of a century, now, my focus [link] has been on how does the transition to this new way take place. Sometimes, I feel like it is a race between a world, with no one at the helm, bent on self-destruction and the emergence of a new governance principle based on sustainable practices. I don’t belong in the old world and cannot, yet, experience the new. I do seek to bring the two together [link]. When and how this happens is not a matter of prediction or control. It is about navigation.

 

That night, in the middle of nowhere, breathing with these creatures, I felt a peace I have rarely known. They stayed for about a half an hour - how can I describe it? Dolphins BREATHE. So many of us are shallow in our breath and do not take reality in. We approach life as if it was an accident waiting to break. Not a dolphin. A dolphin is THERE and drinks deeply of life and all that is offered. When a pod stays with a boat they are PRESENT. They know what they are doing - they communicate. They reach into your mind and plant a new way of seeing.

 

Then, they leave.

 

When they leave, they leave some of what they are with you.

My second visitor was from civilization.

 

About half way into the watch, I saw a light on the horizon. In time, it became apparent that it was on a direct bearing with CAMELOT. It silently grew brighter. In these conditions, it takes, at most, ten minutes for a ship to come into view and disappear. What emerged from the sea was a beautiful sloop on a direct course to the Bahamas. She was small and delicate - and classic - of lighter displacement than CAMELOT and healed over as she drove to her destination.

 

There was no one on deck.

 

I do not know if the captain was sleeping, had gone below for a cup of coffee - or what. The sloop came on like a ghost ship, passed a hundred feet by CAMELOT'S stern, and disappeared into the night.

 

A mystery. Uncanny.

 

An apparition of pure beauty that came and was gone without a trace or whisper. Had it really happened? What did it mean? Why was there no one on watch? She represented to me the world she came from - and, THE great question: is anyone on watch?

 
 

Words - even pictures - do not convey the essence of the experience that CAMELOT provides. It is an experience so rich that even memory has a difficult time holding it. It tends to fad away without frequent renewal.

There is a ritual [link] to life on board that is part of it - a routine that is directly tied to the seasons, weather and time of day. Another aspect is the water, itself, always changing - on board you are constantly moving even at anchor. A sailboat, especially a wooden one, has a pervasive materiality [link] that is rarely achieved by human-made artifacts. A boat is a different kind of shelter than a land-based house; it is much smaller and intimate on one hand; on the other, it is expansive as you are often in it, on it, around it - even under it. This is a multidimensional relationship rarely achieved by fixed architecture [link].

On a boat you go places and often places you cannot get to by other means - your landscape changes as often as you please. Even a change in anchorage will accomplish this. The vantage point by which the larger world is experienced is different than the usual from the land.

And, on a boat, the maintenance is a daily affair. This frequency of hands-on touch creates a direct link between how life is and what you put into it.

The science and art of navigation on board is both a reality for survival and a metaphor of life. You never get to where you want directly - it is the sum of winds, tides, currants and choices taken within limits that get you there. You have to think about it carefully and act appropriately [link] to find your way.

This is the CAMELOT expereince - it is condensed life.

 
 

CAMELOT is a deep-displacement 22 ton gaff-rigged cutter-ketch [link]. She is built from Burmese teak. She is sea-kindly and exudes soul as much as any human artifact [link] can.

 

She is not a possession. She cannot be owned. She has to be approached whole - as a living thing - on her own terms. If you are willing to do this - to give up normal human perceptions and values - she will grant you experiences like no other.

As I sailed with her that night, I made a promise.

 

CAMELOT is a blend of the natural - because she is shaped by the demands of the sea - and artifact - because she is crafted by humans.

CAMELOT is a dynamic environment that lives in a dynamic medium.
 

She is a work of art, a habitat, a complex mechanical system, a vessel for getting someplace. She is what few land-based pieces of architecture have accomplished: a blend of utility and art, of the pragmatic and the sublime [link]. She is the result of a process [link] that took years to refine. She is one ideal example of what a human habitat can be.

 

You cannot go out and buy a boat like this - not for ANY amount of money. It has to be MADE, evolved, used, improved - remade. CAMELOT is earned by participation - not by power, or luck. Not by dictate of whim. Only by right action [link].

 
 

Therefore, CAMELOT cannot be purchased - she requires design skills, passion, work - integrity. It takes in-vest-meant.

 

Reality allows no substitutes. It, whatever it is, works - or it does not. People get into a new space - or not. The weather and sea, is accommodated - or not. The Crew is a TEAM - or not. The boat floats, sails - gets there - or not.

 

And, off shore, your life [link] depends on it.

 

CAMELOT is everything that I set out to accomplish in Architecture in one compact package.

 
 

She is the result of an intensely collaborative design-build-use [link] process between Gail [link], Armour, Pam [link] and myself. Like life, she does not stand still. She can never be finished. She evolves like the environment she sails in. Constant, dynamic, unforgiving, beautiful.

 

Of all that I have accomplished in life - and not - CAMELOT is the ONE piece of this Earth that exhibits best what I have sought [link]. She is both symbol and FACT.

 

That night, I promised that I would keep her whole. That I would participate in her development, evolution and use. That I would make her available to those able to experience the reality she is capable of making and giving. That, no matter the ends and outs of business and fortune, THIS will stand. This synthesis [link] of nature and civilization - of pure process and artifact - will be maintained. This WATCH will be kept.

 

Of all the times on board, I love the late night. Nature is expressed in direct terms. Essence dominates. The sea, at night, is not just day with the lights out. The night-sea is different. It cannot be described although there is something about the human in us that wants to no matter how often we fail.

 

With the night comes visitors - and learning, if you are willing.

 

The night enfolds the mind. It penetrates the soul and quickens remembering. It shows the way.

 

CAMELOT is part of my way - my dogu. Others have their own, and different, paths. One gift - and perhaps the only true gift - we can give to each other is the unique experiences we have each have captured and brought back for sharing [link]. Living is like prospecting, the gold has to be used to be valuable. Life has to be spent. Too many try to keep it in the bank. CAMELOT spends.

 

I wish that everyone in the world could have a midnight sail on CAMELOT with a quartering sea, a full moon and an endless dream.

 

Consider this your invitation [link].

 
 
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Return To EcoSphere Bungalow
 

Matt Taylor
Hilton Head
December 30, 1998

 

 

SolutionBox voice of this document:
VISION • STRATEGY • EVALUATE

 


posted: December 30, 1998

revised: May 30, 2004
• 19981230.562098.mt • 19911007.111520.mt •
• 20001126.297537.mt • 20020830.651190.mt •
• 20040528.211209.mt • 20040430.344310.mt •

 note: this document is about 98% finished

copyright© Matt Taylor 1998, 1999, 2000, 2002, 2004

 
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